ĭuring the first part of the video, Eminem, is shown while performing the song inside of a dark room, dressed in all black with only one light shining in the background. The Eminem symbiote spreads around, infecting innocent bystanders (and a dog) and making them cause damage to the town while rapping.
EMINEM 8 MILE THEME SONG DRIVER
As the song starts, an Eminem symbiote crawls up the man's neck, causing him to start rapping to the song, before he infects the bus driver by throwing him out the door, who then also starts rapping. Just as it begins to react, he puts it in his bag and gets on a bus. As a continuation to his previous " Fall" music video, its first scene shows a bystander finding the previously crushed Revival CD, opening the case to find a completely black disc. The music video was released on October 5, 2018. On October 3, 2018, Eminem teased on his Twitter account that a music video for the song would be released the following Friday. The song includes multiple references to the Venom film and to its title characters Venom and Eddie Brock. On September 21, 2018, the track was released as a separate digital single on streaming services. Seven hours later, on August 31, 2018, Eminem's previously unannounced album Kamikaze was released, and "Venom" appeared as its final track. Still, however tough he's been on the world, Em has also tended to reserve his harshest words for himself, refracting his insecurities-about his family, his music, his cultural relevance-into verses that have only made him seem more human.On August 30, 2018, Eminem posted a 15-seconds teaser showing Venom's title with the "E" turning to the "backwards Ǝ", used as Eminem's emblem and that he was going to feature Thusho (aka TheeBrain) from South Africa. Even as he's matured-fame, stability, sobriety, an Oscar (for the 8 Mile centerpiece, “Lose Yourself”)-he's retained his edge, taking shots at politics and society (2017’s Revival) with a frustration that's bordered on relentless. The result was a sound that reached beyond hip-hop into the heart of suburban America: rap not as social reportage but as primal-scream therapy punk for a generation addled by reality TV.
Dark, funny, and frequently violent, his breakthrough albums (1999’s The Slim Shady LP and 2000’s The Marshall Mathers LP) established him as pop culture’s premier bogeyman, a bleach-blond devil traumatized by circumstance who rapped about killing everyone from his mentor to his mother with such ferocity and wit that you’d almost forget he had the wrong idea. Dre only months before, he had been fired from his job as a line cook, where he worked nearly 60 hours a week to support his infant daughter-an origin story that set the tone for his career. Raised in working-class Detroit, the artist born Marshall Mathers in 1972 got his start as a battle rapper, reaching the ears of then-Interscope Records CEO Jimmy Iovine and future mentor Dr. On 1999's “My Name Is,” Eminem entered the public imagination with a mandate: “God sent me to piss the world off.” From his provocative early work to the redemption narratives of 8 Mile and beyond, he’s more or less stayed true to form, holding a mirror to the American psyche-and his own-with an incisiveness rarely matched before or since.
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